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Q.17 Give your comments on the need of fusion in Assamese music for the sake of wider acceptability.

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Fusion in Assamese music is increasingly relevant for making it more accessible and appealing to national and global audiences, while still preserving the essence of its rich cultural heritage. As the music world becomes more interconnected, blending traditional Assamese sounds with modern genres like jazz, rock, electronic, and hip-hop can help expand its reach while respecting its roots.

A. Expanding Audience Reach:

  • Assamese music, with its unique instruments like the dhol, pepa, and gagana, holds a distinctive sound that is deeply rooted in the folk traditions of Bihu and other regional festivals. However, these traditional sounds may not resonate as much with modern listeners beyond Assam.
  • Fusion music, by integrating global genres like pop, EDM, and jazz, can attract a younger audience and those unfamiliar with Assamese culture. For instance, the works of Assamese artist Papon, who blends Assamese folk music with contemporary genres, have gained national popularity. His song “Moh Moh Ke Dhaage” (Hindi) and Bihu folk fusion pieces highlight how seamlessly Assamese music can be modernized for broader appeal.

B. Maintaining Cultural Identity While Evolving:

  • Fusion music does not mean erasing traditional music, but rather evolving it. Many global examples show that fusion can help preserve traditional elements while introducing them to a broader audience. For instance, artists like A. R. Rahman successfully fused Indian classical music with modern beats, making it accessible to global listeners while retaining its core identity.
  • Similarly, Assamese musicians like Zubeen Garg have experimented with mixing Assamese lyrics and traditional sounds with rock and pop elements, giving the music a modern twist without losing its Assamese identity.

C. Globalization and Contemporary Culture:

  • The globalization of music has made it necessary for regional sounds to adapt and blend with mainstream genres. Audiences today are exposed to cross-cultural musical experiences through platforms like Spotify and YouTube, which has increased the demand for innovative music styles.
  • In contemporary culture, collaborations such as Bihu meets Rock, a fusion initiative where traditional Assamese music was blended with Western rock elements, have drawn attention to how music can act as a bridge between cultures. This fusion genre has the potential to reach listeners outside Assam while staying true to the cultural roots of the state.

D. Contemporary Examples and Personalities:

  • Several Assamese artists are already creating fusion music that appeals to both Assamese and non-Assamese audiences. Papon and his band The East India Company blend traditional folk with electronic and rock influences, making his music widely accepted across India. His renditions of Assamese folk songs in a contemporary style have popularized the regional music outside its traditional boundaries.
  • Another artist, Angaraag Mahanta (Papon), exemplifies how a blend of Indian classical music and Assamese folk traditions with global sounds has brought Assamese music to a larger audience. His success shows the importance of fusion as a tool for cultural expansion.

E. Reviving Traditional Instruments and Sounds:

  • Fusion also provides an opportunity to revive traditional instruments that might otherwise fade into obscurity. Instruments like the tokari, dotara, and xutuli can be reintroduced to a younger audience when paired with electronic beats or synthesized sounds. This can keep traditional instruments alive while making them relevant to contemporary music scenes.
  • Global icons like Shankar Mahadevan, who incorporated folk instruments into modern compositions, show how fusion can breathe new life into age-old instruments, creating a wider appeal without diluting their significance.

Contrarian Point of View:

While fusion music has helped popularize Assamese music, critics argue that it risks diluting its cultural essence and authenticity.

  1. Loss of Authenticity:
    Fusion might overshadow traditional elements, compromising the integrity of Assamese music. Artists like Bhupen Hazarika maintained that preserving the purity of folk music is essential to retaining its cultural significance.
  2. Commercialization Risk:
    Fusion can lead to the commodification of Assamese music, prioritizing commercial success over cultural depth, potentially reducing rich traditions to marketable trends.
  3. Cultural Homogenization:
    Mixing Assamese folk with global genres risks blurring its unique identity, leading to homogenization, where the music loses its regional distinctiveness in the global music landscape.
  4. Alienation of Traditional Audiences:
    Older generations and culturally rooted communities might feel disconnected from fusion music, which strays from the simple, raw beauty of traditional folk forms.
  5. Focus on Preservation:
    Instead of evolving through fusion, efforts should emphasize preserving and reviving traditional forms, ensuring cultural continuity. As suggested by intellectuals like Hiren Gohain, protecting the purity of folk traditions can maintain cultural identity in a modernizing world.

In sum, while fusion expands Assamese music’s reach, it’s essential to balance innovation with cultural preservation to avoid losing its core identity.

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